Bibliograph

Die upon a kiss, Barbara Hambly

Type

Label

Die upon a kiss, Barbara Hambly

Language

eng

resource.accompanyingMatter

technical information on music

Form of composition

not applicable

Format of music

not applicable

Literary text for sound recordings

fiction

Main title

Die upon a kiss

Responsibility statement

Barbara Hambly

Series statement

Benjamin January, bk. 5

Summary

In February 1835, the cold New Orleans streets are alight with masked Mardi Gras revelers as the American Theater's impresario, Lorenzo Belaggio, brings a magnificent yet controversial operatic version of Othello to town. But it's pitch-black in the alley where free man of color Benjamin January hears a slurred whisper, spies the flash of a knife, and is himself wounded as he rescues Belaggio from a vicious attack. Could competition for audiences-or for Belagio's affections-provoke such violent skulduggery? Or is Shakespeare's tragic tale, with its spectacle of a black man's passion for a white beauty, one that some Creole citizen-or American parvenu-would do anything to keep off the stage? The soaring music will lead January into a tangle of love, hate, and greed more treacherous than any onstage drama, as he must discover who is responsible ... and who will Die Upon a Kiss. "The Benjamin January series is well worth reading for the depth and richness of the author's historical research and her exquisite evocation of the Byzantine class structure, exotic culture, and menacing politics of antebellum New Orleans." "Intelligent, thought provoking, and-let's not forget what genre we're in here-thoroughly mysterious."

Target audience

adult

Transposition and arrangement

not applicable

Classification